about

I've spent my career on the side of the table where an idea has to survive contact with a client, a budget, and a deadline. That started early. In high school, I was already campaigning for my charter school at city events and private fundraisers, and I kept doing it through college because I liked watching an idea move a room before I ever had a title for the job. An internship at Golin Dallas turned that instinct into a career, and training in art direction at The ONE School of Creativity gave it a craft. Since 2018, I've worked across accounts including Cadillac, Amazon Prime Video, Walmart, eBay, Google Shopping, and McDonald's, moving between junior, mid-level, and lead roles depending on the project, and I've done the same range for smaller brands like iBestWines and MIZIZI Shop, where the budget is tighter but the standard for the idea isn't.

Photography sharpened the eye behind that work rather than competing with it. My photos have been featured in Vogue, Forbes, and R29. My YouTube channel is where the camera stays playful; it's the outlet where I experiment, talk through the craft in real time, and stay in conversation with the film photography community, away from any client or deadline.

Producing is what closes the loop between vision and delivery. I completed Sundance Collab's Film Producing: Core Elements course and NYU Tisch's Business of Entertainment program, both built around the same question a Creative Director answers every day: how an idea actually gets made once it leaves the room where it sounded great. I'm applying that directly to my own short film right now, from script through production.

What I bring to a brand, an agency, or a studio is the same thing in three different rooms. I've sat in the concept meeting, the budget meeting, and the edit bay, and I know how to keep an idea intact across all three.

None of that is the center, though. My husband and my kids are. They're the most creative part of my life, the place where a small moment turns into a whole world if I pay attention to it. Everything I build professionally gets built around them, not the other way around, and they're what keep me curious instead of just competent.